Tuesday, May 4, 2010

Groping In The Bus Movies

Cinejamo au Cineforum / / May Review




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L ' Youth Cultural Association "Eye!"


Back for the fourth edition , the exhibition of film forums organized by the youth culture "Eye" in collaboration with the Social Center "The Louse" by Vicovaro.

As every year, will present titles, new and old bill, characterized by a breakdown in the subject, to discover the "beauty" che risiede dietro alle pellicole realizzate dai più importanti registi internazionali senza tralasciare la scoperta di titoli meno conosciuti ma con eguale, a volte maggiore, peso visivo.

Inoltre quest’anno, in seconda serata, verranno proiettati dei

B-Movie

, per scoprire anche il cinema a basso costo e trash.


Tutte le proiezioni si svolgeranno il venerdì sera presso il Centro Sociale “Il Pidocchietto” (via Don Angelo Francorsi – presso la Scuola Media “M. Sabellico”), input with a subscription card.

Program May:

Every Friday from 21.30



Friday, May 7


The Wild Bunch Sam Peckimpah

Western / / USA, 1969


With William Holden, Ernest Borgnine, Warren Oates, Robert Ryan, Edmond O'Brien.

In 1914, after a failed bank robbery, trespass six American band from Texas to Mexico, chased by a bunch of bounty hunters, under the command of a former belonging to the "Wild Bunch". You redeem learning dying bravely struggle against the forces of a bandit-general in defense of the oppressed people. Along with pages of great visionary force in their mannerism baroque, especially in battle scenes (which aroused controversy in the U.S. for their red-hot violence), this memorable western Warner-Seven Arts has, in the intervals of calm, as significant moments in key melancholy elegy on the sunset of an era. That of S. Peckinpah, refusing to be so romantic, is the answer to the cynical rhetoric of the Italian western. He had two Oscar nominations for screenplay and music by Jerry Fielding. Photograph of the great Lucien Ballard.

Friday, May 14


SANTA SANGRE

Alejandro Jodorowsky

Drama / / Italy, 1989


With Guy Stockwell, Alejandro Jodorowsky, Blanca Guerra, Sabrina Dennison.

Traumatized childhood (his mother castrates with sulfuric acid that amputate her adulterous husband's arms and slaughters) and admitted to the clinic for twenty years, Fenix \u200b\u200bescapes and begins with his mother in a cabaret in which the number of suitable arms and hands. But it is a man possessed, driven to kill young women by the demon mother's fanatical and incomplete. There is also a happy ending : Fenix \u200b\u200bheals with love. Grotesque melodrama Grand-Guignol-style? Trash movie copyright? Unhealthy and perverse splatter where blood flows in streams, fountains, rivulets, lakes? Exercise baroque unruly that drips with citations and references to the cinema of the past (up to Fellini) and the Teratology circus most of the time

Freaks? To take it for what it is - a "fun" high voltage of a visionary truculence monitored by the Guardian of irony - is generous with pleasure, especially in part 2. 3 rd film statelessness A. Jodorowsky, Roberto Leoni, and written with Claudio Argento, funded in part by the second brother of Dario.

Friday, May 21



BLACK

Giancarlo Soldi

Yellow / / Italy, 1992

With Chiara Caselli, Sergio Castellitto, Luis Molteni, Hugo Pratt, Luigi Rosatelli.

Weekend messed up for the poor Federico (S. Castellitto). If you must do with the corpse of a friend who disappears and reappears, a girlfriend (C. Caselli) who knows more than he says and a police misunderstanding (H. Pratt). Based on the novel by Tiziano Sclavi, father of Dylan Dog, a yellow and inconclusive that parodic nod to cinema Coen and Lynch. Drafts dislike a little arrogant intellectual cinephile who wants to give to drink to the people ox.

Venerdì 28 Maggio

IL DOTTOR STRANAMORE


di Stanley Kubrick

Commedia //Gran Bretagna, 1964



Con Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens.

Psicopatico generale d’aviazione USA, deciso a salvare il mondo dal complotto comunista, è pronto ad attaccare l’Unione Sovietica con armi nucleari. Uno dei pochi capolavori di satira politica nella storia del cinema che riflette gli incubi apocalittici dei primi anni ‘60. Il più forsennato e meno controllato film di Kubrick con Peter Sellers in 3 ruoli al culmine del suo istrionismo. Non vinse nemmeno uno dei 4 Oscar cui era candidato. Dal romanzo Red Alert di Peter George che lo sceneggiò con Terry Southern e il regista.

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